When I met tango, it was love at first sight. I was enamored by the spirals and shapes, the organic embrace, its sophisticated simplicity, and perhaps most of all, the challenge it presented for me. You see, up until then, I had lived my life pretty independently. I asked no-one for permission, I had no debts. I did as I well pleased. As one of my friends put it: “A rolling stone gathers no moss.” I started teaching gymnastics as soon as I was old enough to work – literally on my 15th birthday, I taught my first classes solo. After that, I dove into teaching 8th grade at a school in which it was really up to each of us teachers to sort things out within our four walls, with little support from the administration. Then I took one year off that turned into many more to lead a volunteer project in Perú, travel like the wind blows, and find what I didn’t even know I was looking for: tango.
I continued my jet setting with tango as my inspiration and my book as my fuel. And tango remains a journey of discovery, as much inward as it is outward.Tango presented such a challenge because it required me to
be vulnerable. When I was so used to standing alone, to dance tango, I couldn’t
take even one step by myself. So I dove in, eager to learn, soaking everything
up like a sponge. And I soon realized that there was a disconnect between the
patterns of steps people memorized in tango classes and the organic dance that
unfolded as pairs who had been dancing for decades – the ones who moved
together like one four-legged creature – walked their way down the dance floor.
Most classes centered on a pattern really meant for the leads and the followers
were told “just follow” and given some adornments to do with their feet.
Basically, I ended up feeling like a ragdoll being tossed around as the
“leaders” copied the pattern (with little regard for my positioning or presence)
It felt little like the decadent, connected, fluid dances I had experienced. I
wanted more of that. And it was evident I’d have to go searching for it.
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